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    A theory that cannot accommodate the sublime, the ugly, o... — Carmelics
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    Supports→Lessing's account of the visual arts is deficient.

    A theory that cannot accommodate the sublime, the ugly, or the grotesque as legitimate visual categories—as Rosenkranz's 'Aesthetics of Ugliness' establishes—is systematically incomplete.

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    Key Terms

    Aesthetics of Ugliness(as a specific philosophical text)
    Rosenkranz's philosophical work that takes ugliness seriously as a legitimate and important subject for artistic study, rather than dismissing it.
    Karl Rosenkranz(as a historical philosopher referenced)
    A 19th-century German philosopher who wrote 'Aesthetics of Ugliness,' arguing that ugliness deserves serious study as an important part of art and beauty, not just as the opposite of beauty.
    Legitimate visual categories(as referring to recognized aspects of aesthetics)
    Types of visual experience or aesthetic feelings that deserve to be taken seriously and studied as valid subjects in art and beauty.
    Systematically incomplete(as a fundamental limitation of schema-based methods)
    Lacking the ability to prove everything that should be provable within a logical system, due to structural limitations rather than minor gaps.

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    The grotesque(as a visual or aesthetic category)
    Something that is disturbing, distorted, or weirdly ugly in a way that fascinates and repels you at the same time—like a scary monster in a movie or twisted sculpture.
    aesthetics(Modern aesthetics)
    An approach that tries to describe artworks as objects that express and intensify human subjects' experiences of life
    the sublime(as Kant's philosophical concept being explained)
    A feeling you get when you encounter something so vast, powerful, or overwhelming that it's almost too big for your mind to grasp—like standing at the edge of a massive canyon or watching a violent storm. It mixes awe, wonder, and a bit of fear or confusion.

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    Lessing's account of the visual arts is deficient.

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