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    Both poets embed temporal sequence covertly: Sappho's fra... — Carmelics
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    Challenges→Sappho's descriptions of physical beauty and Keats's ekphrastic verse demonstrate that affective intensity, not temporal sequence, can be the primary vehicle of poetic representation.

    Both poets embed temporal sequence covertly: Sappho's fragments imply narrative contexts (departures, absences), and Keats's odes trace progressive thought movements.

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