Clive Bell and Roger Fry argued that 'significant form' — an irreducibly aesthetic property — is the only property shared across all genuine works of art across cultures and history.
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A British art historian and critic from the early 1900s who, like Bell, believed that the visual arrangement and composition of artworks were what really mattered in appreciating art.
significant form(Bell's formalism)
For formalists like Bell, the only important artistic criterion in evaluating art