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    Cross-cultural empirical aesthetics (Palmer, Ou, et al.) ... — Carmelics
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    Challenges→The presence of a particular perceptual feature (e.g., saturated blue) is not in general a reason, even a pro tanto reason, for admiring an artwork.

    Cross-cultural empirical aesthetics (Palmer, Ou, et al.) documents systematic preferences for saturated hues that persist across contexts, suggesting non-zero pro tanto weight.

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