Dewey's pragmatistaesthetics in 'Art as Experience' grounds legitimate aesthetic norms in the funded meanings and embodied habits actual perceivers bring to artworks, not in fictive pure sensation.
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Fictive pure sensation(as what Dewey argues against)
An imaginary, unrealistic idea that we could experience something with a completely blank mind, free from all our past knowledge and habits—a view Dewey rejects.
Funded meanings(as what viewers bring to art)
Ideas and understanding that we've built up over time through our past experiences and learning, like an account of knowledge we've accumulated.
Perceivers(in philosophy of perception)
People or beings who experience or sense things through their senses (sight, sound, touch, etc.).
A way of thinking about art that judges what makes art 'good' based on what actually works and matters to real people experiencing it, rather than abstract rules or theories.