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    Greenberg's purely optical attention requires bracketing ... — Carmelics
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    Supports→Aesthetic norms requiring purely optical attention cannot be taken seriously as prescriptions.

    Greenberg's purely optical attention requires bracketing all semantic, historical, and contextual knowledge, a cognitive state neuroscience shows is architecturally impossible for human perceivers.

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    Key Terms

    Greenberg(as the theorist whose ideas are being discussed)
    Clement Greenberg was an influential art critic who argued that the best modern art focuses purely on visual elements like color and form, ignoring everything else about the painting's subject or history.
    Neuroscience(as the field being discussed)
    The scientific study of how the brain and nervous system work, including the physical structures and chemical processes involved in thinking and behavior.
    Semantic knowledge(as contrasted with knowledge about the world)
    Understanding what words and symbols mean—basically, knowing the definition and correct usage of language itself.
    architecturally impossible(as the reason humans cannot actually achieve purely optical perception)
    Impossible because of how something is fundamentally built or structured; in this case, how the human brain is physically wired.

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    bracketing(Used in the context of self-doubting higher-order evidence; distinct from simply discounting evidence in light of other evidence.)
    The epistemic act of setting aside or ceasing to use first-order evidence when drawing conclusions, typically in response to higher-order defeating evidence.
    contextual knowledge(as another type of knowledge that must be set aside)
    Information about the background, circumstances, or situation surrounding something—like knowing when a painting was made or what was happening in the world at that time.
    knowledge(Distinguished from mere true belief, which may be the product of indoctrination and need not exercise deliberative capacities.)
    Justified true belief — true belief that has been arrived at through the exercise of deliberative capacities, including comparison of and deliberation among alternatives.
    purely optical attention(Advocated by Greenberg (1960) and contested by embodied cognition theorists.)
    A standard of aesthetic engagement with pictures that is confined to visual form alone, excluding bodily, motor, or empathetic responses.

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