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    If artificial signs are cognitively mediated conventions,... — Carmelics
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    Challenges→Poetry's use of artificial signs is paradoxically more emotionally effective than the natural signs used by other arts.

    If artificial signs are cognitively mediated conventions, their emotional effects depend on culturally contingent competencies unavailable to all audiences, limiting their universality and thus their overall power.

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    Key Terms

    Cognitively mediated(as used in philosophy of mind and epistemology)
    Something that requires your brain and thinking processes to work; it doesn't happen automatically but depends on mental understanding and interpretation.
    Competencies(as used in philosophy of education and epistemology)
    Skills, knowledge, or abilities that people have developed or learned, usually through experience in their culture or community.
    Culturally contingent(as used in philosophy of culture and epistemology)
    Something that depends on the specific culture or society you're part of; it could be different in another culture, rather than being true everywhere and always.
    artificial signs(Used by Herder to characterize the signs employed by poetry, in contrast to painting and music.)
    Signs whose content is not determined or constrained by the natural properties of the signs themselves, as distinct from natural signs.

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    conventions(Central concept in conventionalism; distinct from written rules but nonetheless binding through social enforcement.)
    Collectively agreed-upon norms that operate within a game alongside its formal rules.
    universality(Distinguishing the nature as such from its mode of universality)
    Not a constitutive mark of the common nature itself, but its unique and inseparable property

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