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    In Virgil's account, Laocoön pierces heaven with his cries — Carmelics
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    Supports→The Laocoön sculpture departs from Virgil's literary depiction of Laocoön

    In Virgil's account, Laocoön pierces heaven with his cries

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    In the sculpture, the mouth is opened rather to discharge an anxious, overloaded...The Laocoön sculpture departs from Virgil's literary depiction of Laocoön

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    ’Tis in the face of Laocoön this soul shines with full lustre, not confined however to the face, amidst the most violent sufferings. Pangs piercing every muscle, every labouring nerve; pangs which we almost feel ourselves, while we consider—not the face, nor the most expressive parts—only the belly contracted by excruciating pains: these however, I say, exert not themselves with violence, either in the face or gesture. He pierces not heaven, like the Laocoön of Virgil; his mouth is rather opened

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