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    Kant's Critique of Judgment argues that genuine aesthetic... — Carmelics
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    Challenges→Vraisemblance is not an end in itself but a means to the true goal of art, which is to arouse sentiments.

    Kant's Critique of Judgment argues that genuine aesthetic response requires disinterested contemplation, making sentiment-arousal a sign of empirical interest rather than aesthetic judgment.

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    Reasons For

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    • 1.Disinterested contemplation distinguishes aesthetic judgment from mere sensory pleasure or utility-driven preferences.
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    • 2.Sentiment-arousal typically signals desire for possession or bodily gratification, which contradicts aesthetic disinterestedness.
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    • 3.Only judgments independent of personal interest can claim universal validity, as Kant requires for genuine aesthetic claims.
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    Reasons Against

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    • 1.Aesthetic experience inherently involves emotional response; complete disinterestedness may render aesthetic judgment psychologically impossible.
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    • 2.Sentiment-arousal can reflect deep engagement with form and meaning rather than mere empirical interest or desire for possession.
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    • 3.The distinction between disinterested and interested response is too rigid; most aesthetic encounters blend contemplative and affective dimensions.
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    Key Terms

    Aesthetic judgment(Lyotard's appropriation of Kantian aesthetic judgment for the problem of justice.)
    Judgment that does not produce denotative knowledge about a determinable state of affairs, but refers to the way our faculties interact as we move among modes of phrasing (denotative, prescriptive, performative, political, cognitive, artistic, etc.).
    Critique of Judgment(as the specific work where Kant defended immanent teleology)
    One of Kant's major works that explores how we judge things as beautiful and how living organisms seem to have built-in purposes without needing an external designer.
    Disinterested contemplation(as a requirement for genuine aesthetic response)
    Looking at or thinking about something without wanting to use it, own it, or gain something from it—appreciating it purely for its own sake, like admiring a painting just because it's beautiful.
    Empirical interest(as contrasted with aesthetic judgment)
    Wanting something based on how it actually benefits you or satisfies a desire—like wanting a beautiful painting because it's expensive and increases in value, rather than because you find it beautiful.
    Kant(as used in epistemology and metaphysics)
    Immanuel Kant (1724-1804) was an influential German philosopher who argued that our minds shape how we experience reality, and that we can only truly know things as they appear to us, not as they are in themselves.
    aesthetic response(Lessing's aesthetics, drawing on Mendelssohn's theoretical tools)
    A response based on the free play of mental powers stimulated by an object, particularly a work of art

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    Aesthetics1 linked

    Related

    Aesthetic experience inherently involves emotional response; complete disinteres...Disinterested contemplation distinguishes aesthetic judgment from mere sensory p...Only judgments independent of personal interest can claim universal validity, as...Sentiment-arousal can reflect deep engagement with form and meaning rather than ...

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    Sentiment-arousal typically signals desire for possession or bodily gratificatio...The distinction between disinterested and interested response is too rigid; most...Vraisemblance is not an end in itself but a means to the true goal of art, which...