Monroe Beardsley argued that aesthetic experience requires a characteristic phenomenological profile—unity, intensity, and complexity—that excludes neutral or merely sensory encounters.
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(Second decision point in the Explanatory Filter, applied to contingent phenomena)
A property of phenomena that go beyond mere breakdown or disorder; used in the Explanatory Filter to distinguish chance from design among contingent events
unity(Derived from being by adding the notion of indivision alone.)
Being that is undivided; the concept of being with the purely negative addition of indivision.