In 1791, Moritz dedicated a review of the Essay on Taste by “our mutual friend” Herz to Salomon Maimon, another Jewish intellectual who had arisen to prominence in Berlin from beginnings even more unpromising than those of Mendelssohn and Herz. Here he manifests his own allegiance to Wolff and Baumgarten, arguing that his conception of beauty as the internal perfection of a work of art as it strikes the senses and imagination is essentially the same as their conception of beauty as “sensible per