Performative contradiction, as analyzed by Habermas in 'The Philosophical Discourse of Modernity', occurs when an utterance's content contradicts the pragmaticpresuppositions of making that utterance.
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Unavoidable yet counterfactual assumptions that discourse participants must make if they are to regard the actual execution of dialectical procedures as a sufficiently severe critical test; these replace the earlier 'ideal speech situation' concept
utterance(Contrast drawn in discussing the referent of demonstrative 'that')
A concrete event (an utterance-token), as opposed to an abstract utterance-type.