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    Readers report that powerful affective experiences in poe... — Carmelics
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    Supports→Sappho's descriptions of physical beauty and Keats's ekphrastic verse demonstrate that affective intensity, not temporal sequence, can be the primary vehicle of poetic representation.

    Readers report that powerful affective experiences in poetry feel simultaneous and non-sequential, suggesting intensity can bypass time as representational mode.

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    Sappho's descriptions of physical beauty and Keats's ekphrastic verse demonstrat...

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    Sappho's descriptions of physical beauty and Keats's ekphrastic verse demonstrat...

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