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Inverse View
It is not the case that Significant exposure to an artwork can be a reason why one's judgement of it is reliable, and may belong to the space of aesthetic reasons.
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Reasons For
2 perspectives
Reason for 1 of 2
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1.
Mere exposure increases liking through familiarity bias (Zajonc 1968), which is a non-cognitive affective response independent of tracking objective qualities.
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2.
A process that systematically produces responses uncorrelated with objective features cannot ground reliability in the epistemically relevant sense.
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3.
Therefore, increased exposure may produce confident judgements that are unreliable precisely because familiarity and quality are independent variables.
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Reason for 2 of 2
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1.
Hume's standard of taste requires that reliable judges be free from prejudice, and repeated exposure to one work cultivates partiality rather than impartiality.
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2.
A factor that corrupts the conditions Hume identifies as necessary for reliable aesthetic judgment cannot simultaneously belong to the space of aesthetic reasons that justify that judgment.
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Reasons Against
1 perspective
Reason against
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1.
Increased exposure makes observers more aware of the objective qualities of a work.
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2.
Awareness of a work's objective qualities grounds reliable aesthetic judgement.
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3.
A factor that grounds reliable judgement may belong to the space of aesthetic reasons even if it is not itself a reason why the work is good or bad.
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