The causal-inductive argument for intentionalism presupposes that the meaning of an artwork can be identified independently of the artist's intentions.

What all this has to do with the intentional fallacy is this. The intentionalist shouldn’t claim that (1) entails (2), for that claim is subject to the numerous counterarguments that Beardsley makes full use of. But the anti-intentionalist, such as Beardsley, shouldn’t claim that there’s “no logical relation” between (1) and (2), for there clearly is, even on his own showing, a causally grounded, empirically based, standard inductive relation between the two. The intentionalist shouldn’t rejoice