Skip to content
Carmelics
TopicsThinkersChangesContributorsLoading account…

    Carmelics

    A reasoning platform. Break down any belief into clear reasons, explore both sides, and weigh the evidence honestly.

    Navigate

    • Topics
    • Search
    • Recent Changes
    • Contribute
    • How It Works
    • Glossary
    • Thinkers
    • Contributors
    • About
    • Statistics
    • Terms
    • Privacy

    Database

    Statements
    —
    Perspectives
    —
    Topics
    —

    Press ? for keyboard shortcuts

    LoyalLoyalJusticeJustice
    Made withinDC&Austin
    Statements
    321,452
    Perspectives
    108,905
    Topics
    42
    The parts must be dense enough to allow the perceiver to ... — Carmelics
    Home/Aesthetics
    HistoryEditSee Inverse

    Part of a larger discussion

    Supports→The source of pleasure in beauty is the equilibrium and proportion with which a perceiver grasps the parts of an object together as a whole.

    The parts must be dense enough to allow the perceiver to grasp them together with equilibrium and proportion.

    Aesthetics
    ?Rate how convincing each reason is below to see the overall strength.

    No one has weighed in yet. Be the first to share reasons for or against this statement.

    Sign in or register to share your perspective on this statement.

    Topics

    Aesthetics

    Connections

    1 topic

    Perception1 linked

    Related

    It is the latter condition — unified grasp with equilibrium — that produces plea...

    Next step

    Based on where you are in your exploration

    Browse more in Aesthetics
    Related propositions within the same area of thought.
    The parts of a beautiful object must be distinct enough to convey variety.
    The source of pleasure in beauty is the equilibrium and proportion with which a ...

    Similar

    Unity allows the perceiver to take in the object as a whole with equil...82%Beauty requires that an object possess both extensive clarity (richnes...76%The source of pleasure in beauty is the equilibrium and proportion wit...74%The parts of a beautiful object must be distinct enough to convey vari...74%

    Source

    AI-extracted
    SEP: aesthetics-18th-german
    View source passageHide passage
    Mendelssohn worked within the framework of Wolffian metaphysics and psychology, and thus he accepted the definition of sensible perception as clear but confused cognition. He accepted Wolff’s explanation that pleasure arises in the sensible perception of perfection, but also Baumgarten’s transformation of that formula into the explanation of beauty as the perfection of sensible cognition: in Mendelssohn’s terms, “the essence of the fine arts and sciences consists in an artful, sensibly perfect r

    Details

    Type
    premise
    Perspectives
    0 (0 for, 0 against)
    Edits
    1 edit

    Open for perspectives

    This idea is waiting for its first supporting or challenging perspective.

    Share the first perspective