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It is not the case that The sculptor of the Laocoön group was correct not to depict Laocoön at the moment of his greatest pain and full scream.
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Reasons For
2 perspectives
Reason for 1 of 2
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1.
Aristotle's Poetics establishes that the depiction of intense suffering produces catharsis, a morally and aesthetically valuable emotional purgation.
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2.
If catharsis requires the full representation of pathos, then suppressing the scream diminishes the work's highest aesthetic function.
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3.
Winckelmann's criterion of 'noble simplicity and quiet grandeur' reflects a culturally specific neoclassical ideal, not a universal law of visual art.
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Reason for 2 of 2
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1.
Lessing's argument assumes imagination always improves upon what is depicted, but Gombrich's work shows viewers anchor interpretation to depicted cues rather than freely extrapolating beyond them.
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2.
If the imagination is already constrained by the partial representation Lessing endorses, suppressing the scream merely substitutes one imaginative limit for another without clear aesthetic gain.
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Reasons Against
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Reason against
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1.
Depicting the moment of greatest pain and a full scream would foreclose the free play of the imagination of the audience.
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2.
Visual art must choose moments that leave the imagination free to explore further possibilities.
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