Kulvicki’s dispositional theory neatly accounts for some distal intuitions about sounds. (Other intuitions, such as the idea that sound have a loudness, are beyond the descriptive power of the theory, that on that score considers loudness as a property not of the sound, but of the thwack). In particular it highlights the importance of action in bringing about auditory information about an object: most objects sound because we deliberately impart a thwack on them, and in many cases in which we wa