If, then, feelings and passions are constitutive of art, and if aesthetic or poetic feeling is a key ingredient in the pursuit of the Absolute, then philosophy should become poetic and “poetry and philosophy should be made unified” (F. Schlegel, CF: #115). We are now in a position to appreciate that this romantic imperative is explained partly by the view that philosophy cannot be reduced to concepts and propositions, but must also include certain kinds of affective mental states. To paraphrase