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    Engaging with a beautiful object involves the mind moving... — Carmelics
    Home/Aesthetics
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    Supports→The free play of mental powers between perception of parts and grasp of the whole may be the source of pleasure in beauty.

    Engaging with a beautiful object involves the mind moving between perceiving parts and grasping the whole.

    AestheticsConsciousness & Mind
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    AestheticsConsciousness & Mind

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    Related propositions within the same area of thought.
    The exercise of our powers is itself a perfection we enjoy.The free play of mental powers between perception of parts and grasp of the whol...This movement between parts and whole constitutes an exercise of our powers.

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    Pleasure in a beautiful object is an expression of the free play of th...88%We take pleasure in experiencing a beautiful object.83%The beautiful object is complete in itself, not in the perceiving subj...82%Material objects signify minds that possess mental perfections capable...82%

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    SEP: aesthetics-18th-german
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    Mendelssohn worked within the framework of Wolffian metaphysics and psychology, and thus he accepted the definition of sensible perception as clear but confused cognition. He accepted Wolff’s explanation that pleasure arises in the sensible perception of perfection, but also Baumgarten’s transformation of that formula into the explanation of beauty as the perfection of sensible cognition: in Mendelssohn’s terms, “the essence of the fine arts and sciences consists in an artful, sensibly perfect r

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