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It is not the case that Goodman's necessity claim is conceptually problematic because it makes 'brilliant performance of a work' incoherent for any performance containing wrong notes.
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1.
On Goodman's view, a performance with wrong notes fails to be an instance of the work.
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2.
If a performance is not an instance of a work, it cannot meaningfully be called a brilliant performance of that work.
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3.
Goodman's own formulation describes such performances as 'brilliant' while also disqualifying them as instances.
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