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    If Plato intended the ascent as merely optional spiritual... — Carmelics
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    Supports→Gregory Vlastos argued in 'The Individual as Object of Love in Plato' that Diotima's ascent systematically displaces particular loves, implying a comprehensive normative ontology of all love, not a subset.

    If Plato intended the ascent as merely optional spiritual enrichment, he would not structure it as a necessary progression. The prescriptive language indicates universal normative force.

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    Key Terms

    Necessary progression(describes how Plato allegedly structured the ascent)
    A sequence of steps that must happen in order, where each step depends on the one before it and you can't skip ahead or do them out of order.
    Plato(the person whose decision to write is being analyzed in this example)
    An ancient Greek philosopher (around 428-348 BCE) who wrote famous dialogues exploring big questions about knowledge, justice, and reality.
    Prescriptive language(refers to the type of language Plato supposedly used)
    Words that tell you what *should* or *must* happen, rather than just describing what *is* happening—like a rule or command rather than an observation.
    normative force(Used to describe what Korsgaard's account aims to explain)
    The property in virtue of which an agent's reasons are binding on the agent.

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    the ascent(the concept Vlastos is analyzing)
    Diotima's description of how love progresses upward—starting with attraction to one person's body, then moving to appreciation of beauty in all bodies, then beauty in the mind, until finally reaching love of Beauty itself as an abstract ideal.
    universal(Argument for the generality of Turing machines)
    A computing system capable of simulating any other computing system of the same or lesser power; used here to describe Turing machines as the most general model of computation.

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    Gregory Vlastos argued in 'The Individual as Object of Love in Plato' that Dioti...

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    Gregory Vlastos argued in 'The Individual as Object of Love in Plato' that Dioti...

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