If similarity relations among colors are fixed by neural opponent-process structures rather than by physical reflectance properties, then color similarity judgments have false presuppositions about their own subject matter.
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similarity relations(as used in philosophy of perception)
The ways that things can be alike or resemble each other according to specific features. For instance, orange and red are similar because they're both warm colors.
subject matter(Contrasted with Platonic forms to establish a historically situated ontology of artistic content)
That which transcends individual artworks yet does not exist apart from its historical embodiments; unlike Platonic forms, subject matters mutate and develop through history