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    Kant's analysis in the Critique of Judgment distinguishes... — Carmelics
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    Supports→Resemblance alone is not the source of pleasure in aesthetic imitation, because resemblance can be produced by means far simpler than the full range of artistic faculties

    Kant's analysis in the Critique of Judgment distinguishes free beauty from merely agreeable sensation, locating aesthetic value in purposive form rather than correspondence to an object.

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    Key Terms

    Agreeable sensation(as contrasted with genuine aesthetic beauty)
    A pleasant feeling or experience that comes from our senses—like how something tastes good or feels comfortable—but isn't necessarily considered beautiful in a deeper way.
    Correspondence to an object(as what Kant argues aesthetic value does NOT depend on)
    The idea that something is valuable because it matches or represents a real thing in the world, or because it successfully does what it's supposed to do.
    Critique of Judgment(as the specific work where Kant defended immanent teleology)
    One of Kant's major works that explores how we judge things as beautiful and how living organisms seem to have built-in purposes without needing an external designer.
    Free beauty(Kantian aesthetics, contrasted with adherent beauty)
    Beauty appreciated without reference to any concept of purpose or perfection.

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    Kant(as used in epistemology and metaphysics)
    Immanuel Kant (1724-1804) was an influential German philosopher who argued that our minds shape how we experience reality, and that we can only truly know things as they appear to us, not as they are in themselves.
    Purposive form(as where Kant says aesthetic value actually comes from)
    The shape or structure of something that appears to be designed or organized in a way that serves a purpose, even if it doesn't actually have one.
    aesthetic value(Langer's characterization of how pragmatism interprets aesthetic value)
    Within the pragmatist framework being criticized, either a direct satisfaction or something instrumental to fulfilling psychological needs

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    Resemblance alone is not the source of pleasure in aesthetic imitation, because ...

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