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    Resemblance alone is not the source of pleasure in aesthe... — Carmelics
    Home/Aesthetics
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    Resemblance alone is not the source of pleasure in aesthetic imitation, because resemblance can be produced by means far simpler than the full range of artistic faculties

    Aesthetics
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    2 reasons for
    1 reason against

    Reasons For

    2 perspectives
    Reason for 1 of 2
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    • 1.Kant's analysis in the Critique of Judgment distinguishes free beauty from merely agreeable sensation, locating aesthetic value in purposive form rather than correspondence to an object.
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    • 2.If resemblance were the source of aesthetic pleasure, representations of ugly or morally repugnant objects would yield no pleasure, yet Aristotle notes in the Poetics that we delight in accurate depictions of things we would find painful to view in reality.
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    • 3.This pleasure in representation of the disagreeable can only be explained by something other than resemblance itself—namely, the recognition of skilled intentional transformation.
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    Reason for 2 of 2
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    • 1.Lessing's Laocoon establishes that artistic media impose constraints and possibilities irreducible to mirroring reality, so artistic value emerges from how a medium is navigated, not from fidelity to appearance.
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    • 2.Nelson Goodman's Languages of Art demonstrates that resemblance is neither necessary nor sufficient for representation, since any two objects resemble each other in some respect while denotation depends on learned symbolic systems.
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    • 3.Because resemblance is a symmetric and ubiquitous relation while aesthetic appreciation is selective and asymmetric, resemblance cannot be the operative source of distinctively aesthetic pleasure.
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    Reasons Against

    1 perspective
    Reason against
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    • 1.Resemblance is easily produced by means far less complex than the faculties that constitute artistry
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    • 2.If mere resemblance were the goal of painting, a painter could simply carry a mirror
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    • 3.Artistry involves a complexity and admirable set of faculties beyond what is required for mere resemblance
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    Aesthetics

    Related

    Artistry involves a complexity and admirable set of faculties beyond what is req...Because resemblance is a symmetric and ubiquitous relation while aesthetic appre...If mere resemblance were the goal of painting, a painter could simply carry a mi...If resemblance were the source of aesthetic pleasure, representations of ugly or...
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    Kant's analysis in the Critique of Judgment distinguishes free beauty from merel...Lessing's Laocoon establishes that artistic media impose constraints and possibi...Nelson Goodman's Languages of Art demonstrates that resemblance is neither neces...Resemblance is easily produced by means far less complex than the faculties that...This pleasure in representation of the disagreeable can only be explained by som...

    Similar

    Works of art arouse greater pleasure than mere similarity (e.g., refle...79%The perfection of spirit is more complex than mere similarity because ...78%Artistry involves a complexity and admirable set of faculties beyond w...77%The artist must construct the ideal through a reasoned process of sele...77%

    Source

    AI-extracted1/3 agreementValid
    SEP: aesthetics-18th-german
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    Finally, the “Main Principles” introduce a fourth source of perfection and therefore pleasure in the aesthetic experience, namely our appreciation of the artistry that is manifested in the production of a beautiful object. In explaining this source of pleasure, Mendelssohn also makes another revision to the traditional theory that it is resemblance alone that is the source of our pleasure in imitation, because resemblance is easily produced by means far less complex and admirable than all of the
    Extraction notes

    Validity: Extracted via Max plan + API grounding/validity checks

    Details

    Type
    claim
    Perspectives
    3 (2 for, 1 against)
    Edits
    1 edit