Where does this leave Schleiermacher in relation to the several issues bearing on his hermeneutics and his philosophy of language that, I suggested, encouraged him to undertake this investigation of non-linguistic art in the first place? Concerning the primary question, whether the non-linguistic arts express meanings and thoughts and if so how, he has now realized that they do indeed (at least sometimes) express meanings and thoughts, but he remains torn on exactly how they do so. Concerning hi