Relative identity theorists like Geach (1967) show that 'same F' judgments can yield different verdicts for different sortals applied to the same objects, undermining any privileged identity claim Carter asserts.
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Conclusions or final judgments about what is true or false.
sortals(Used by Thomasson to explain what governs the ontological status of artworks)
Classificatory concepts associated with kinds (e.g., novel, painting, symphony) that supply identity and persistence conditions for entities falling under them