1825 – 1904
Eduard Hanslick was a 19th-century Austrian music critic and aesthetician, widely regarded as the most influential music critic of his era. His formalist theory of music, articulated in 'On the Musically Beautiful' (1854), argued that music's meaning lies in its formal structures rather than in expressed emotions, shaping modern philosophy of music.
Authored 'On the Musically Beautiful' (Vom Musikalisch-Schönen), a foundational text in the philosophy of music
Developed musical formalism, arguing music's content is 'tonally moving forms'
Served as the first professor of history and aesthetics of music at the University of Vienna
Prominent critic championing Brahms and opposing the program-music tradition of Wagner and Liszt
Shaped 20th-century debates on musical meaning, expression, and absolute music